The Bloated King - Revision history

Sc admin: /* Relationships */

2026-01-11T18:33:21Z

Relationships

← Older revision		Revision as of 14:33, 11 January 2026
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	* The Thespian Queen: Cealgran stole something of immense and irreplaceable value from Mammon. Mammon pursues her obsessively, seeking to reclaim his lost treasure, a chase which Cealgran finds exhilarating.		* The Thespian Queen: Cealgran stole something of immense and irreplaceable value from Mammon. Mammon pursues her obsessively, seeking to reclaim his lost treasure, a chase which Cealgran finds exhilarating.
	* The Wayward King: Lugh and Mammon are openly antagonistic toward each other. Mammon seeks to be a patron of Lugh's Court, commanding its performances like a dance company owner, while Lugh seeks to avoid any tethers that would slow or direct his movement. The two circle each other in a cat and mouse game of patron and artist just waiting for the other to give up.		* The Wayward King: Lugh and Mammon are openly antagonistic toward each other. Mammon seeks to be a patron of Lugh's Court, commanding its performances like a dance company owner, while Lugh seeks to avoid any tethers that would slow or direct his movement. The two circle each other in a cat and mouse game of patron and artist just waiting for the other to give up.

			=Orisons=

			Most of Mammon's Pacts are with his own Court Goblins, but rarely a mortal will be greedy enough, ambitious enough, and capable enough to attract Mammon's curiosity. His most famous Orisons are:

			* Garruthix the Ledger Demon: Human, Man, Arcolon, Dark Age, Dead. An Imperial treasurer, Garruthix made a Pact to ensure that nothing was ever lost or misplaced by the Dark Empire of Acrolon. While effective at first, the Orison famously lost a substantial amount of the Emperor's wealth to Mammon, resulting in a centuries-long feud.
			* Valessia of Golden Silence: Elf, Woman, Pelithos, Dawn Age, Alive. A celebrated patron of the arts who secretly bound herself ot Mammon to preserve her collection forever. Her salons became famous for destroying artists through lavish excess, making their work even more valuable.
			* Khemet Rezh: Dwarf, Man, Vashad, Dark Age, Dead. After the fall of the Lich Queen, Khemet, one of the last waking Dwarves, made a Pact with Mammon to safeguard one of Lich Queen's treasure vaults. Khemet and the vault vanished, never to be seen or heard from again.

Sc admin: /* Relationships */

2026-01-11T18:24:14Z

Relationships

← Older revision		Revision as of 14:24, 11 January 2026
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	* The Lady of the Web: Mammon obsessively showers Bright Lolth with gifts, sponsorships, and monuments, convinced that sufficient wealth can count as reverence, allowing him to buy power over her. Lolth accepts the displays as background noise, neither encouraging nor discouraging them, perfectly secure in the knowledge that devotion cannot be purchased. The imbalance leaves Mammon circling endlessly, mistaking visibility for intimacy.		* The Lady of the Web: Mammon obsessively showers Bright Lolth with gifts, sponsorships, and monuments, convinced that sufficient wealth can count as reverence, allowing him to buy power over her. Lolth accepts the displays as background noise, neither encouraging nor discouraging them, perfectly secure in the knowledge that devotion cannot be purchased. The imbalance leaves Mammon circling endlessly, mistaking visibility for intimacy.
	* The Never Queen and Promised King: Mammon and the Toxic Couple maintain a rare relationship of mutual trust built on aligned appetites and clear expectations. Mammon supplies resources, leverage, and carefully curated excess, while Morrigan and Finvarra provide access, deniability, and outcomes that cannot be purchased outright. Each believes the others understand the rules of exploitation well enough that betrayal would be inefficient rather than tempting.		* The Never Queen and Promised King: Mammon and the Toxic Couple maintain a rare relationship of mutual trust built on aligned appetites and clear expectations. Mammon supplies resources, leverage, and carefully curated excess, while Morrigan and Finvarra provide access, deniability, and outcomes that cannot be purchased outright. Each believes the others understand the rules of exploitation well enough that betrayal would be inefficient rather than tempting.
	* The Porcelain Queen and Grey King:		* The Porcelain Queen and Grey King: Mammon and the Twins share a coarse, indulgent relationship marked by morbid humor and mutual appetite. Mammon delights in supplying objects of decay and ill-considered luxury, finding genuine pleasure in how eagerly they are consumed and lost. Rhiannon and Arawn, for their part, regard Mammon as a vulgar but strangely endearing source of offerings that test the boundaries of endurance, loss, and meaning, accepting his gifts with open eyes and dry amusement.
	* The Sleeping Queen: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.		* The Sleeping Queen: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.
	* The Spider Queen: Bleak Lolth occasionally hunts Mammon through contracts, debts, and bindings that turn his own hoards into cages, savoring the way possession becomes entrapment. Mammon endures this pursuit with a grim clarity, adapting and surviving inside the pressure, treating the danger as proof of his resilience. Their dynamic stabilizes into a brutal equilibrium, she constrains, he persists, and neither expects mercy.		* The Spider Queen: Bleak Lolth occasionally hunts Mammon through contracts, debts, and bindings that turn his own hoards into cages, savoring the way possession becomes entrapment. Mammon endures this pursuit with a grim clarity, adapting and surviving inside the pressure, treating the danger as proof of his resilience. Their dynamic stabilizes into a brutal equilibrium, she constrains, he persists, and neither expects mercy.
	* The Thespian Queen: Cealgran stole something of immense and irreplaceable value from Mammon. Mammon pursues her obsessively, seeking to reclaim his lost treasure, a chase which Cealgran finds exhilarating.		* The Thespian Queen: Cealgran stole something of immense and irreplaceable value from Mammon. Mammon pursues her obsessively, seeking to reclaim his lost treasure, a chase which Cealgran finds exhilarating.
	* The Wayward King: Lugh and Mammon are openly antagonistic toward each other. Mammon seeks to be a patron of Lugh's Court, commanding its performances like a dance company owner, while Lugh seeks to avoid any tethers that would slow or direct his movement. The two circle each other in a cat and mouse game of patron and artist just waiting for the other to give up.		* The Wayward King: Lugh and Mammon are openly antagonistic toward each other. Mammon seeks to be a patron of Lugh's Court, commanding its performances like a dance company owner, while Lugh seeks to avoid any tethers that would slow or direct his movement. The two circle each other in a cat and mouse game of patron and artist just waiting for the other to give up.

Sc admin: /* Relationships */

2026-01-11T18:20:00Z

Relationships

← Older revision		Revision as of 14:20, 11 January 2026
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	* The Keening Women: Mammon has a fraught relationship with Droia, who delights in publicly annotating every transaction Mammon performs, treating his vast wealth like a dry footnote. Mammon fumes and plots revenge. Mairnealach finds the spectacle invigorating and entertaining, while Cailleach treats the humiliation as an unfortunate necessity, ensuring it never escalates into open war.		* The Keening Women: Mammon has a fraught relationship with Droia, who delights in publicly annotating every transaction Mammon performs, treating his vast wealth like a dry footnote. Mammon fumes and plots revenge. Mairnealach finds the spectacle invigorating and entertaining, while Cailleach treats the humiliation as an unfortunate necessity, ensuring it never escalates into open war.
	* The Lady of the Web: Mammon obsessively showers Bright Lolth with gifts, sponsorships, and monuments, convinced that sufficient wealth can count as reverence, allowing him to buy power over her. Lolth accepts the displays as background noise, neither encouraging nor discouraging them, perfectly secure in the knowledge that devotion cannot be purchased. The imbalance leaves Mammon circling endlessly, mistaking visibility for intimacy.		* The Lady of the Web: Mammon obsessively showers Bright Lolth with gifts, sponsorships, and monuments, convinced that sufficient wealth can count as reverence, allowing him to buy power over her. Lolth accepts the displays as background noise, neither encouraging nor discouraging them, perfectly secure in the knowledge that devotion cannot be purchased. The imbalance leaves Mammon circling endlessly, mistaking visibility for intimacy.
	* The Never Queen and Promised King:		* The Never Queen and Promised King: Mammon and the Toxic Couple maintain a rare relationship of mutual trust built on aligned appetites and clear expectations. Mammon supplies resources, leverage, and carefully curated excess, while Morrigan and Finvarra provide access, deniability, and outcomes that cannot be purchased outright. Each believes the others understand the rules of exploitation well enough that betrayal would be inefficient rather than tempting.
	* The Porcelain Queen and Grey King:		* The Porcelain Queen and Grey King:
	* The Sleeping Queen: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.		* The Sleeping Queen: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.

Sc admin: /* Relationships */

2026-01-11T18:18:19Z

Relationships

← Older revision		Revision as of 14:18, 11 January 2026
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	* The Bitter Queen: Maeve and Mammon share an unusual hobby of trading assets through kidnapping and theft. What started as a rivalry has turned into a sort of tradition. Mammon bores of the exchanges, while Maeve feels liberated to be rid of her least wanted servants and treasures.		* The Bitter Queen: Maeve and Mammon share an unusual hobby of trading assets through kidnapping and theft. What started as a rivalry has turned into a sort of tradition. Mammon bores of the exchanges, while Maeve feels liberated to be rid of her least wanted servants and treasures.
	* The Cake Queen and Candy King: Mammon repeatedly attempts to dominate the Sweet Couple through excess, leverage, and manufactured scarcity, expecting their joy to be frustrated by economic forces. Milseach and Siucran absorb the behavior with calm endurance, allowing the aggression to spend itself without escalation or retreat. The dynamic leaves Mammon perpetually irritated, unable to extract submission or profit from targets who refuse to be diminished.		* The Cake Queen and Candy King: Mammon repeatedly attempts to dominate the Sweet Couple through excess, leverage, and manufactured scarcity, expecting their joy to be frustrated by economic forces. Milseach and Siucran absorb the behavior with calm endurance, allowing the aggression to spend itself without escalation or retreat. The dynamic leaves Mammon perpetually irritated, unable to extract submission or profit from targets who refuse to be diminished.
	* The Cartographer Queen and Hearth King:		* The Cartographer Queen and Hearth King: Mammon and the Fated Couple share an uneasy, clandestine entanglement born of mutually incriminating knowledge that neither will divulge, creating an unspoken agreement to never compare notes too closely.
	* The First Queen: Ceadra and Mammon share a long-standing and fading partnership built on mutual utility. Mammon patronaged the construction of Ceadra's Grand Harmonic Engine, correctly assuming that it would give him great influence over her. But Ceadra has tirelessly helped Mammon calculate the value of his hoard for centuries, so now the partnership is drawing to a close, much to Ceadra's relief and Mammon's panic.		* The First Queen: Ceadra and Mammon share a long-standing and fading partnership built on mutual utility. Mammon patronaged the construction of Ceadra's Grand Harmonic Engine, correctly assuming that it would give him great influence over her. But Ceadra has tirelessly helped Mammon calculate the value of his hoard for centuries, so now the partnership is drawing to a close, much to Ceadra's relief and Mammon's panic.
	* The Giving Queen: Iobairtin and Mammon are frustrated rivals. While it seems on the surface that their philosophies should create feedback loop of meaning, their ideologies actively nullify one another. Gifts freely given in Iobairtin’s Court lose the metaphysical weight Mammon needs to claim value, while sacrifices offered to Mammon are stripped of meaning before Iobairtin can sanctify them as generosity. Each sees the other not merely as an enemy, but as a being whose very presence drains nourishment from the acts they depend upon, an endless irritation that can never be resolved, only circled.		* The Giving Queen: Iobairtin and Mammon are frustrated rivals. While it seems on the surface that their philosophies should create feedback loop of meaning, their ideologies actively nullify one another. Gifts freely given in Iobairtin’s Court lose the metaphysical weight Mammon needs to claim value, while sacrifices offered to Mammon are stripped of meaning before Iobairtin can sanctify them as generosity. Each sees the other not merely as an enemy, but as a being whose very presence drains nourishment from the acts they depend upon, an endless irritation that can never be resolved, only circled.

Sc admin: /* Relationships */

2026-01-11T18:13:57Z

Relationships

← Older revision		Revision as of 14:13, 11 January 2026
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	* The Bitter Queen: Maeve and Mammon share an unusual hobby of trading assets through kidnapping and theft. What started as a rivalry has turned into a sort of tradition. Mammon bores of the exchanges, while Maeve feels liberated to be rid of her least wanted servants and treasures.		* The Bitter Queen: Maeve and Mammon share an unusual hobby of trading assets through kidnapping and theft. What started as a rivalry has turned into a sort of tradition. Mammon bores of the exchanges, while Maeve feels liberated to be rid of her least wanted servants and treasures.
	* The Cake Queen and Candy King:		* The Cake Queen and Candy King: Mammon repeatedly attempts to dominate the Sweet Couple through excess, leverage, and manufactured scarcity, expecting their joy to be frustrated by economic forces. Milseach and Siucran absorb the behavior with calm endurance, allowing the aggression to spend itself without escalation or retreat. The dynamic leaves Mammon perpetually irritated, unable to extract submission or profit from targets who refuse to be diminished.
	* The Cartographer Queen and Hearth King:		* The Cartographer Queen and Hearth King:
	* The First Queen: Ceadra and Mammon share a long-standing and fading partnership built on mutual utility. Mammon patronaged the construction of Ceadra's Grand Harmonic Engine, correctly assuming that it would give him great influence over her. But Ceadra has tirelessly helped Mammon calculate the value of his hoard for centuries, so now the partnership is drawing to a close, much to Ceadra's relief and Mammon's panic.		* The First Queen: Ceadra and Mammon share a long-standing and fading partnership built on mutual utility. Mammon patronaged the construction of Ceadra's Grand Harmonic Engine, correctly assuming that it would give him great influence over her. But Ceadra has tirelessly helped Mammon calculate the value of his hoard for centuries, so now the partnership is drawing to a close, much to Ceadra's relief and Mammon's panic.

Sc admin: /* Relationships */

2026-01-11T18:09:36Z

Relationships

← Older revision		Revision as of 14:09, 11 January 2026
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	* The Giving Queen: Iobairtin and Mammon are frustrated rivals. While it seems on the surface that their philosophies should create feedback loop of meaning, their ideologies actively nullify one another. Gifts freely given in Iobairtin’s Court lose the metaphysical weight Mammon needs to claim value, while sacrifices offered to Mammon are stripped of meaning before Iobairtin can sanctify them as generosity. Each sees the other not merely as an enemy, but as a being whose very presence drains nourishment from the acts they depend upon, an endless irritation that can never be resolved, only circled.		* The Giving Queen: Iobairtin and Mammon are frustrated rivals. While it seems on the surface that their philosophies should create feedback loop of meaning, their ideologies actively nullify one another. Gifts freely given in Iobairtin’s Court lose the metaphysical weight Mammon needs to claim value, while sacrifices offered to Mammon are stripped of meaning before Iobairtin can sanctify them as generosity. Each sees the other not merely as an enemy, but as a being whose very presence drains nourishment from the acts they depend upon, an endless irritation that can never be resolved, only circled.
	* The Keening Women: Mammon has a fraught relationship with Droia, who delights in publicly annotating every transaction Mammon performs, treating his vast wealth like a dry footnote. Mammon fumes and plots revenge. Mairnealach finds the spectacle invigorating and entertaining, while Cailleach treats the humiliation as an unfortunate necessity, ensuring it never escalates into open war.		* The Keening Women: Mammon has a fraught relationship with Droia, who delights in publicly annotating every transaction Mammon performs, treating his vast wealth like a dry footnote. Mammon fumes and plots revenge. Mairnealach finds the spectacle invigorating and entertaining, while Cailleach treats the humiliation as an unfortunate necessity, ensuring it never escalates into open war.
	* The Lady of the Web:		* The Lady of the Web: Mammon obsessively showers Bright Lolth with gifts, sponsorships, and monuments, convinced that sufficient wealth can count as reverence, allowing him to buy power over her. Lolth accepts the displays as background noise, neither encouraging nor discouraging them, perfectly secure in the knowledge that devotion cannot be purchased. The imbalance leaves Mammon circling endlessly, mistaking visibility for intimacy.
	* The Never Queen and Promised King:		* The Never Queen and Promised King:
	* The Porcelain Queen and Grey King:		* The Porcelain Queen and Grey King:
	* The Sleeping Queen: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.		* The Sleeping Queen: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.
	* The Spider Queen:		* The Spider Queen: Bleak Lolth occasionally hunts Mammon through contracts, debts, and bindings that turn his own hoards into cages, savoring the way possession becomes entrapment. Mammon endures this pursuit with a grim clarity, adapting and surviving inside the pressure, treating the danger as proof of his resilience. Their dynamic stabilizes into a brutal equilibrium, she constrains, he persists, and neither expects mercy.
	* The Thespian Queen: Cealgran stole something of immense and irreplaceable value from Mammon. Mammon pursues her obsessively, seeking to reclaim his lost treasure, a chase which Cealgran finds exhilarating.		* The Thespian Queen: Cealgran stole something of immense and irreplaceable value from Mammon. Mammon pursues her obsessively, seeking to reclaim his lost treasure, a chase which Cealgran finds exhilarating.
	* The Wayward King: Lugh and Mammon are openly antagonistic toward each other. Mammon seeks to be a patron of Lugh's Court, commanding its performances like a dance company owner, while Lugh seeks to avoid any tethers that would slow or direct his movement. The two circle each other in a cat and mouse game of patron and artist just waiting for the other to give up.		* The Wayward King: Lugh and Mammon are openly antagonistic toward each other. Mammon seeks to be a patron of Lugh's Court, commanding its performances like a dance company owner, while Lugh seeks to avoid any tethers that would slow or direct his movement. The two circle each other in a cat and mouse game of patron and artist just waiting for the other to give up.

Sc admin: /* Relationships */

2026-01-11T17:59:40Z

Relationships

← Older revision		Revision as of 13:59, 11 January 2026
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	* The First Queen: Ceadra and Mammon share a long-standing and fading partnership built on mutual utility. Mammon patronaged the construction of Ceadra's Grand Harmonic Engine, correctly assuming that it would give him great influence over her. But Ceadra has tirelessly helped Mammon calculate the value of his hoard for centuries, so now the partnership is drawing to a close, much to Ceadra's relief and Mammon's panic.		* The First Queen: Ceadra and Mammon share a long-standing and fading partnership built on mutual utility. Mammon patronaged the construction of Ceadra's Grand Harmonic Engine, correctly assuming that it would give him great influence over her. But Ceadra has tirelessly helped Mammon calculate the value of his hoard for centuries, so now the partnership is drawing to a close, much to Ceadra's relief and Mammon's panic.
	* The Giving Queen: Iobairtin and Mammon are frustrated rivals. While it seems on the surface that their philosophies should create feedback loop of meaning, their ideologies actively nullify one another. Gifts freely given in Iobairtin’s Court lose the metaphysical weight Mammon needs to claim value, while sacrifices offered to Mammon are stripped of meaning before Iobairtin can sanctify them as generosity. Each sees the other not merely as an enemy, but as a being whose very presence drains nourishment from the acts they depend upon, an endless irritation that can never be resolved, only circled.		* The Giving Queen: Iobairtin and Mammon are frustrated rivals. While it seems on the surface that their philosophies should create feedback loop of meaning, their ideologies actively nullify one another. Gifts freely given in Iobairtin’s Court lose the metaphysical weight Mammon needs to claim value, while sacrifices offered to Mammon are stripped of meaning before Iobairtin can sanctify them as generosity. Each sees the other not merely as an enemy, but as a being whose very presence drains nourishment from the acts they depend upon, an endless irritation that can never be resolved, only circled.
	* The Keening Women:		* The Keening Women: Mammon has a fraught relationship with Droia, who delights in publicly annotating every transaction Mammon performs, treating his vast wealth like a dry footnote. Mammon fumes and plots revenge. Mairnealach finds the spectacle invigorating and entertaining, while Cailleach treats the humiliation as an unfortunate necessity, ensuring it never escalates into open war.
	* The Lady of the Web:		* The Lady of the Web:
	* The Never Queen and Promised King:		* The Never Queen and Promised King:

Sc admin: /* Relationships */

2026-01-11T17:55:09Z

Relationships

← Older revision		Revision as of 13:55, 11 January 2026
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	* The Bitter Queen: Maeve and Mammon share an unusual hobby of trading assets through kidnapping and theft. What started as a rivalry has turned into a sort of tradition. Mammon bores of the exchanges, while Maeve feels liberated to be rid of her least wanted servants and treasures.		* The Bitter Queen: Maeve and Mammon share an unusual hobby of trading assets through kidnapping and theft. What started as a rivalry has turned into a sort of tradition. Mammon bores of the exchanges, while Maeve feels liberated to be rid of her least wanted servants and treasures.
			* The Cake Queen and Candy King:
			* The Cartographer Queen and Hearth King:
	* The First Queen: Ceadra and Mammon share a long-standing and fading partnership built on mutual utility. Mammon patronaged the construction of Ceadra's Grand Harmonic Engine, correctly assuming that it would give him great influence over her. But Ceadra has tirelessly helped Mammon calculate the value of his hoard for centuries, so now the partnership is drawing to a close, much to Ceadra's relief and Mammon's panic.		* The First Queen: Ceadra and Mammon share a long-standing and fading partnership built on mutual utility. Mammon patronaged the construction of Ceadra's Grand Harmonic Engine, correctly assuming that it would give him great influence over her. But Ceadra has tirelessly helped Mammon calculate the value of his hoard for centuries, so now the partnership is drawing to a close, much to Ceadra's relief and Mammon's panic.
	* The Giving Queen: Iobairtin and Mammon are frustrated rivals. While it seems on the surface that their philosophies should create feedback loop of meaning, their ideologies actively nullify one another. Gifts freely given in Iobairtin’s Court lose the metaphysical weight Mammon needs to claim value, while sacrifices offered to Mammon are stripped of meaning before Iobairtin can sanctify them as generosity. Each sees the other not merely as an enemy, but as a being whose very presence drains nourishment from the acts they depend upon, an endless irritation that can never be resolved, only circled.		* The Giving Queen: Iobairtin and Mammon are frustrated rivals. While it seems on the surface that their philosophies should create feedback loop of meaning, their ideologies actively nullify one another. Gifts freely given in Iobairtin’s Court lose the metaphysical weight Mammon needs to claim value, while sacrifices offered to Mammon are stripped of meaning before Iobairtin can sanctify them as generosity. Each sees the other not merely as an enemy, but as a being whose very presence drains nourishment from the acts they depend upon, an endless irritation that can never be resolved, only circled.
			* The Keening Women:
			* The Lady of the Web:
			* The Never Queen and Promised King:
			* The Porcelain Queen and Grey King:
	* The Sleeping Queen: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.		* The Sleeping Queen: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.
			* The Spider Queen:
	* The Thespian Queen: Cealgran stole something of immense and irreplaceable value from Mammon. Mammon pursues her obsessively, seeking to reclaim his lost treasure, a chase which Cealgran finds exhilarating.		* The Thespian Queen: Cealgran stole something of immense and irreplaceable value from Mammon. Mammon pursues her obsessively, seeking to reclaim his lost treasure, a chase which Cealgran finds exhilarating.
	* The Wayward King: Lugh and Mammon are openly antagonistic toward each other. Mammon seeks to be a patron of Lugh's Court, commanding its performances like a dance company owner, while Lugh seeks to avoid any tethers that would slow or direct his movement. The two circle each other in a cat and mouse game of patron and artist just waiting for the other to give up.		* The Wayward King: Lugh and Mammon are openly antagonistic toward each other. Mammon seeks to be a patron of Lugh's Court, commanding its performances like a dance company owner, while Lugh seeks to avoid any tethers that would slow or direct his movement. The two circle each other in a cat and mouse game of patron and artist just waiting for the other to give up.

Sc admin: /* Relationships */

2026-01-11T17:52:16Z

Relationships

← Older revision		Revision as of 13:52, 11 January 2026
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	=Relationships=		=Relationships=

	* The Bitter Queen~~: * The Bloated King~~: Maeve and Mammon share an unusual hobby of trading assets through kidnapping and theft. What started as a rivalry has turned into a sort of tradition. Mammon bores of the exchanges, while Maeve feels liberated to be rid of her least wanted servants and treasures.		* The Bitter Queen: Maeve and Mammon share an unusual hobby of trading assets through kidnapping and theft. What started as a rivalry has turned into a sort of tradition. Mammon bores of the exchanges, while Maeve feels liberated to be rid of her least wanted servants and treasures.
	* The First Queen: Ceadra and Mammon share a long-standing and fading partnership built on mutual utility. Mammon patronaged the construction of Ceadra's Grand Harmonic Engine, correctly assuming that it would give him great influence over her. But Ceadra has tirelessly helped Mammon calculate the value of his hoard for centuries, so now the partnership is drawing to a close, much to Ceadra's relief and Mammon's panic.		* The First Queen: Ceadra and Mammon share a long-standing and fading partnership built on mutual utility. Mammon patronaged the construction of Ceadra's Grand Harmonic Engine, correctly assuming that it would give him great influence over her. But Ceadra has tirelessly helped Mammon calculate the value of his hoard for centuries, so now the partnership is drawing to a close, much to Ceadra's relief and Mammon's panic.
	* The Giving Queen: Iobairtin and Mammon are frustrated rivals. While it seems on the surface that their philosophies should create feedback loop of meaning, their ideologies actively nullify one another. Gifts freely given in Iobairtin’s Court lose the metaphysical weight Mammon needs to claim value, while sacrifices offered to Mammon are stripped of meaning before Iobairtin can sanctify them as generosity. Each sees the other not merely as an enemy, but as a being whose very presence drains nourishment from the acts they depend upon, an endless irritation that can never be resolved, only circled.		* The Giving Queen: Iobairtin and Mammon are frustrated rivals. While it seems on the surface that their philosophies should create feedback loop of meaning, their ideologies actively nullify one another. Gifts freely given in Iobairtin’s Court lose the metaphysical weight Mammon needs to claim value, while sacrifices offered to Mammon are stripped of meaning before Iobairtin can sanctify them as generosity. Each sees the other not merely as an enemy, but as a being whose very presence drains nourishment from the acts they depend upon, an endless irritation that can never be resolved, only circled.

Sc admin: /* Relationships */

2026-01-11T16:45:29Z

Relationships

← Older revision		Revision as of 12:45, 11 January 2026
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	=Relationships=		=Relationships=

			* The Bitter Queen: * The Bloated King: Maeve and Mammon share an unusual hobby of trading assets through kidnapping and theft. What started as a rivalry has turned into a sort of tradition. Mammon bores of the exchanges, while Maeve feels liberated to be rid of her least wanted servants and treasures.
	* The First Queen: Ceadra and Mammon share a long-standing and fading partnership built on mutual utility. Mammon patronaged the construction of Ceadra's Grand Harmonic Engine, correctly assuming that it would give him great influence over her. But Ceadra has tirelessly helped Mammon calculate the value of his hoard for centuries, so now the partnership is drawing to a close, much to Ceadra's relief and Mammon's panic.		* The First Queen: Ceadra and Mammon share a long-standing and fading partnership built on mutual utility. Mammon patronaged the construction of Ceadra's Grand Harmonic Engine, correctly assuming that it would give him great influence over her. But Ceadra has tirelessly helped Mammon calculate the value of his hoard for centuries, so now the partnership is drawing to a close, much to Ceadra's relief and Mammon's panic.
	* The Giving Queen: Iobairtin and Mammon are frustrated rivals. While it seems on the surface that their philosophies should create feedback loop of meaning, their ideologies actively nullify one another. Gifts freely given in Iobairtin’s Court lose the metaphysical weight Mammon needs to claim value, while sacrifices offered to Mammon are stripped of meaning before Iobairtin can sanctify them as generosity. Each sees the other not merely as an enemy, but as a being whose very presence drains nourishment from the acts they depend upon, an endless irritation that can never be resolved, only circled.		* The Giving Queen: Iobairtin and Mammon are frustrated rivals. While it seems on the surface that their philosophies should create feedback loop of meaning, their ideologies actively nullify one another. Gifts freely given in Iobairtin’s Court lose the metaphysical weight Mammon needs to claim value, while sacrifices offered to Mammon are stripped of meaning before Iobairtin can sanctify them as generosity. Each sees the other not merely as an enemy, but as a being whose very presence drains nourishment from the acts they depend upon, an endless irritation that can never be resolved, only circled.