The Cake Queen and The Candy King - Revision history

Sc admin: /* Orisons */

2026-01-11T21:03:16Z

Orisons

← Older revision		Revision as of 17:03, 11 January 2026
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	* Belren of the Second Oven: Elf, Man, Pelithos, Dark Age, Alive. A baker whose traveling hearth produced confections so comforting that warring villages repeatedly declared ceasefires wherever he set up shop. He claims every recipe was taught to him in dreams over shared meals.		* Belren of the Second Oven: Elf, Man, Pelithos, Dark Age, Alive. A baker whose traveling hearth produced confections so comforting that warring villages repeatedly declared ceasefires wherever he set up shop. He claims every recipe was taught to him in dreams over shared meals.
	* Hosha Virel: Vashar, Woman, Vashad, Dawn Age, Alive. A festival architect who rebuilt civic life in ruined cities by designing public feasts so elaborate they became seasonal pilgrimages. Her greatest work, The Thousand Tables, fed an entire province for three days.		* Hosha Virel: Vashar, Woman, Vashad, Dawn Age, Alive. A festival architect who rebuilt civic life in ruined cities by designing public feasts so elaborate they became seasonal pilgrimages. Her greatest work, The Thousand Tables, fed an entire province for three days.
	Candle-Eyed Jiri: Orc, Nonbinary, Tonwei, Dawn Age, Alive. A confectioner-alchemist whose ~~sugarworks~~ induce communal hallucinations of joy~~, grief,~~ and ~~reconciliation~~. Their creations are banned by multiple governments but circulate widely through black markets and holy days.		* Candle-Eyed Jiri: Orc, Nonbinary, Tonwei, Dawn Age, Alive. A confectioner-alchemist whose addictive sugar works induce communal hallucinations of joy and mania. Their creations are banned by multiple governments but circulate widely through black markets and holy days.

Sc admin: /* Orisons */

2026-01-11T21:02:31Z

Orisons

← Older revision		Revision as of 17:02, 11 January 2026
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	=Orisons=		=Orisons=

			Most Orisons to the Sweet Couple are Gnomes and Shortenings. But some rare Mortals are drawn to the couple, usually out of an unhealthy sense of hedonism. Notable Orisons include:

			* Belren of the Second Oven: Elf, Man, Pelithos, Dark Age, Alive. A baker whose traveling hearth produced confections so comforting that warring villages repeatedly declared ceasefires wherever he set up shop. He claims every recipe was taught to him in dreams over shared meals.
			* Hosha Virel: Vashar, Woman, Vashad, Dawn Age, Alive. A festival architect who rebuilt civic life in ruined cities by designing public feasts so elaborate they became seasonal pilgrimages. Her greatest work, The Thousand Tables, fed an entire province for three days.
			Candle-Eyed Jiri: Orc, Nonbinary, Tonwei, Dawn Age, Alive. A confectioner-alchemist whose sugarworks induce communal hallucinations of joy, grief, and reconciliation. Their creations are banned by multiple governments but circulate widely through black markets and holy days.

Sc admin: /* Relations */

2026-01-11T20:58:34Z

Relations

← Older revision		Revision as of 16:58, 11 January 2026
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	* The Bitter Queen: Maeve is convinced that Milseach is a weak and hopeless prisoner of Siucran, and constantly ridicules the couple's relationship as less healthy than it seems. The Sweet Couple, for their part, are amused by the claims and play up the suggested dynamic for their own entertainment.		* The Bitter Queen: Maeve is convinced that Milseach is a weak and hopeless prisoner of Siucran, and constantly ridicules the couple's relationship as less healthy than it seems. The Sweet Couple, for their part, are amused by the claims and play up the suggested dynamic for their own entertainment.
	* The Bloated King: Mammon repeatedly attempts to dominate the Sweet Couple through excess, leverage, and manufactured scarcity, expecting their joy to be frustrated by economic forces. Milseach and Siucran absorb the behavior with calm endurance, allowing the aggression to spend itself without escalation or retreat. The dynamic leaves Mammon perpetually irritated, unable to extract submission or profit from targets who refuse to be diminished.		* The Bloated King: Mammon repeatedly attempts to dominate the Sweet Couple through excess, leverage, and manufactured scarcity, expecting their joy to be frustrated by economic forces. Milseach and Siucran absorb the behavior with calm endurance, allowing the aggression to spend itself without escalation or retreat. The dynamic leaves Mammon perpetually irritated, unable to extract submission or profit from targets who refuse to be diminished.
			* The Cartographer Queen and Hearth King: The Sweet Couple and the Fated Couple maintain a courteous alliance grounded in shared responsibility toward Arcadia’s future. Milseach values Neasa’s sense of structure, while Siucran finds Finvarra’s vows unsettling and incomplete. Neasa appreciates their warmth as stabilizing, while Nuada quietly resents how easily joy seems to arrive for them.
	* The First Queen: Ceadra and the Sweet Couple maintain a warm, openly cordial friendship, rooted in mutual respect and a shared love of creation, music, and carefully constructed joy. Siucran is attentive and generous in her presence, laughing easily, crafting freely, and never giving any outward sign of strain, while Milseach treats Ceadra as a welcome and honored guest. Privately, Siucran carries a terrible secret Seans entrusted to him before his Erasure: knowledge of Ceadra’s involvement in the deepest arts of Strange dissolution. He knows he should not know, fears what discovery would mean, and pours that fear into sweetness, hospitality, and excess creation, as if joy itself might keep the secret buried.		* The First Queen: Ceadra and the Sweet Couple maintain a warm, openly cordial friendship, rooted in mutual respect and a shared love of creation, music, and carefully constructed joy. Siucran is attentive and generous in her presence, laughing easily, crafting freely, and never giving any outward sign of strain, while Milseach treats Ceadra as a welcome and honored guest. Privately, Siucran carries a terrible secret Seans entrusted to him before his Erasure: knowledge of Ceadra’s involvement in the deepest arts of Strange dissolution. He knows he should not know, fears what discovery would mean, and pours that fear into sweetness, hospitality, and excess creation, as if joy itself might keep the secret buried.
	* The Giving Queen: Iobairtin once pursued Siucran and Milseach as a romantic interest, believing that her philosophy of giving could harmonize with their joy through inclusion. The Sweet Couple declined gently but firmly, viewing their bond as something deliberately closed and self-sufficient, which left Iobairtin wounded more in pride than in heart. Since then, the relationship has settled into an awkward cordiality: Siucran remains fond but cautious, Milseach is politely distant, and Iobairtin masks her lingering embarrassment behind exaggerated warmth whenever they meet.		* The Giving Queen: Iobairtin once pursued Siucran and Milseach as a romantic interest, believing that her philosophy of giving could harmonize with their joy through inclusion. The Sweet Couple declined gently but firmly, viewing their bond as something deliberately closed and self-sufficient, which left Iobairtin wounded more in pride than in heart. Since then, the relationship has settled into an awkward cordiality: Siucran remains fond but cautious, Milseach is politely distant, and Iobairtin masks her lingering embarrassment behind exaggerated warmth whenever they meet.
	* The Keening Women: Draoi maintains a genuine, uncomplicated friendship with the Sweet Couple, valuing their shared belief that structure and care can soften the damage of the world. She is openly fond of Milseach’s warmth and quietly impressed by Siucran’s craftsmanship, often offering advice without expectation of return. Cailleach tolerates the relationship as harmless sentimentality, while Mairnealach finds it quietly reassuring in a way she refuses to examine too closely.		* The Keening Women: Draoi maintains a genuine, uncomplicated friendship with the Sweet Couple, valuing their shared belief that structure and care can soften the damage of the world. She is openly fond of Milseach’s warmth and quietly impressed by Siucran’s craftsmanship, often offering advice without expectation of return. Cailleach tolerates the relationship as harmless sentimentality, while Mairnealach finds it quietly reassuring in a way she refuses to examine too closely.
	* The Lady of the Web: Milseach and Siucran maintain a rare collegial relationship with Bright Lolth, approaching her without fear or flattery. Lolth accepts them bemusedly and faintly impressed by their refusal to genuflect despite knowing exactly who she is. Their courage earns them access few others receive, even if Lolth never forgets that courage is a temporary condition.		* The Lady of the Web: Milseach and Siucran maintain a rare collegial relationship with Bright Lolth, approaching her without fear or flattery. Lolth accepts them bemusedly and faintly impressed by their refusal to genuflect despite knowing exactly who she is. Their courage earns them access few others receive, even if Lolth never forgets that courage is a temporary condition.
			* The Never Queen and the Promised King: The Sweet Couple views Morrigan and Finvarra with genuine horror, seeing their bond as a cautionary tale of devotion curdled into something vile. Morrigan finds their reaction amusing and enjoys provoking their discomfort. Finvarra watches them with a mixture of curiosity and contempt, convinced their happiness is untested.
			* The Porcelain Queen and Grey King: Rhiannon and Arawn regard the Sweet Couple as an existential threat whose endless pleasure must eventually be ended or risk invalidating their entire philosophy. They make careful, patient plans to eliminate them, convinced the act will be merciful and necessary. Milseach and Siucran remain completely unaware, treating the Twins as somber but harmless acquaintances.
	* The Sleeping Queen: Aisling harbors a quiet, aching crush on the Sweet Couple, which she doesn't even fully understand herself. Siucran responds with cold distance and pity, refusing to indulge it. Milseach takes a gentler role, offering kindness and presence without illusion, hoping that care itself might steady Aisling even if it cannot save her.		* The Sleeping Queen: Aisling harbors a quiet, aching crush on the Sweet Couple, which she doesn't even fully understand herself. Siucran responds with cold distance and pity, refusing to indulge it. Milseach takes a gentler role, offering kindness and presence without illusion, hoping that care itself might steady Aisling even if it cannot save her.
	* The Spider Queen: The Sweet Couple play the role of absurd heroes in their dealings with Bleak Lolth, confronting her cruelty with delight, excess, and relentless joy. Lolth finds herself unable to meaningfully wound them; pleasure absorbs pain faster than she can deliver it. This inversion of power enrages Lolth.		* The Spider Queen: The Sweet Couple play the role of absurd heroes in their dealings with Bleak Lolth, confronting her cruelty with delight, excess, and relentless joy. Lolth finds herself unable to meaningfully wound them; pleasure absorbs pain faster than she can deliver it. This inversion of power enrages Lolth.

Sc admin: /* Relations */

2026-01-11T20:05:32Z

Relations

← Older revision		Revision as of 16:05, 11 January 2026
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	* The Thespian Queen: Cealgran, Siucran, and Milseach share an easy, affirming bond, grounded in trust and mutual delight. The Sweet Couple are not at all uneasy with Cealgran's ever-shifting roles, taking an attitude of "whatever makes you happy", which Cealgran finds freeing and refreshing. In turn, Cealgran is often moved to take on roles that delight the King and Queen.		* The Thespian Queen: Cealgran, Siucran, and Milseach share an easy, affirming bond, grounded in trust and mutual delight. The Sweet Couple are not at all uneasy with Cealgran's ever-shifting roles, taking an attitude of "whatever makes you happy", which Cealgran finds freeing and refreshing. In turn, Cealgran is often moved to take on roles that delight the King and Queen.
	* The Wayward King: Lugh and the Sweet Couple share a volatile relationship built on indulgence and irritation. Lugh delights in Siucran’s manic energy and improvisational excess, finding it kin to his own love of motion, but he disapproves of Milseach’s slower rhythms, which he dismisses as sticky and sentimental. The Candy King and Cake Queen, however, are united in their fondness of Lugh, including exasperating him with their paradoxical relationship.		* The Wayward King: Lugh and the Sweet Couple share a volatile relationship built on indulgence and irritation. Lugh delights in Siucran’s manic energy and improvisational excess, finding it kin to his own love of motion, but he disapproves of Milseach’s slower rhythms, which he dismisses as sticky and sentimental. The Candy King and Cake Queen, however, are united in their fondness of Lugh, including exasperating him with their paradoxical relationship.

			=Orisons=

Sc admin: /* Orisons */

2026-01-11T20:05:14Z

Orisons

← Older revision		Revision as of 16:05, 11 January 2026
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	The Greater Sugar Court attracts the widest variety of followers, as so many seek companionship and joy. Mortals who equate love with nourishment, effort with reward, and happiness with shared moments frequently become Orisons. Among the Fey, this philosophy attracts those scarred by loss or futility, who seek reassurance that joy can still be earned and that meaning can still feel good.		The Greater Sugar Court attracts the widest variety of followers, as so many seek companionship and joy. Mortals who equate love with nourishment, effort with reward, and happiness with shared moments frequently become Orisons. Among the Fey, this philosophy attracts those scarred by loss or futility, who seek reassurance that joy can still be earned and that meaning can still feel good.

	~~=Orisons=~~

	=Relations=		=Relations=

Sc admin: /* Relations */

2026-01-11T20:03:40Z

Relations

← Older revision		Revision as of 16:03, 11 January 2026
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	* The Giving Queen: Iobairtin once pursued Siucran and Milseach as a romantic interest, believing that her philosophy of giving could harmonize with their joy through inclusion. The Sweet Couple declined gently but firmly, viewing their bond as something deliberately closed and self-sufficient, which left Iobairtin wounded more in pride than in heart. Since then, the relationship has settled into an awkward cordiality: Siucran remains fond but cautious, Milseach is politely distant, and Iobairtin masks her lingering embarrassment behind exaggerated warmth whenever they meet.		* The Giving Queen: Iobairtin once pursued Siucran and Milseach as a romantic interest, believing that her philosophy of giving could harmonize with their joy through inclusion. The Sweet Couple declined gently but firmly, viewing their bond as something deliberately closed and self-sufficient, which left Iobairtin wounded more in pride than in heart. Since then, the relationship has settled into an awkward cordiality: Siucran remains fond but cautious, Milseach is politely distant, and Iobairtin masks her lingering embarrassment behind exaggerated warmth whenever they meet.
	* The Keening Women: Draoi maintains a genuine, uncomplicated friendship with the Sweet Couple, valuing their shared belief that structure and care can soften the damage of the world. She is openly fond of Milseach’s warmth and quietly impressed by Siucran’s craftsmanship, often offering advice without expectation of return. Cailleach tolerates the relationship as harmless sentimentality, while Mairnealach finds it quietly reassuring in a way she refuses to examine too closely.		* The Keening Women: Draoi maintains a genuine, uncomplicated friendship with the Sweet Couple, valuing their shared belief that structure and care can soften the damage of the world. She is openly fond of Milseach’s warmth and quietly impressed by Siucran’s craftsmanship, often offering advice without expectation of return. Cailleach tolerates the relationship as harmless sentimentality, while Mairnealach finds it quietly reassuring in a way she refuses to examine too closely.
			* The Lady of the Web: Milseach and Siucran maintain a rare collegial relationship with Bright Lolth, approaching her without fear or flattery. Lolth accepts them bemusedly and faintly impressed by their refusal to genuflect despite knowing exactly who she is. Their courage earns them access few others receive, even if Lolth never forgets that courage is a temporary condition.
	* The Sleeping Queen: Aisling harbors a quiet, aching crush on the Sweet Couple, which she doesn't even fully understand herself. Siucran responds with cold distance and pity, refusing to indulge it. Milseach takes a gentler role, offering kindness and presence without illusion, hoping that care itself might steady Aisling even if it cannot save her.		* The Sleeping Queen: Aisling harbors a quiet, aching crush on the Sweet Couple, which she doesn't even fully understand herself. Siucran responds with cold distance and pity, refusing to indulge it. Milseach takes a gentler role, offering kindness and presence without illusion, hoping that care itself might steady Aisling even if it cannot save her.
			* The Spider Queen: The Sweet Couple play the role of absurd heroes in their dealings with Bleak Lolth, confronting her cruelty with delight, excess, and relentless joy. Lolth finds herself unable to meaningfully wound them; pleasure absorbs pain faster than she can deliver it. This inversion of power enrages Lolth.
	* The Thespian Queen: Cealgran, Siucran, and Milseach share an easy, affirming bond, grounded in trust and mutual delight. The Sweet Couple are not at all uneasy with Cealgran's ever-shifting roles, taking an attitude of "whatever makes you happy", which Cealgran finds freeing and refreshing. In turn, Cealgran is often moved to take on roles that delight the King and Queen.		* The Thespian Queen: Cealgran, Siucran, and Milseach share an easy, affirming bond, grounded in trust and mutual delight. The Sweet Couple are not at all uneasy with Cealgran's ever-shifting roles, taking an attitude of "whatever makes you happy", which Cealgran finds freeing and refreshing. In turn, Cealgran is often moved to take on roles that delight the King and Queen.
	* The Wayward King: Lugh and the Sweet Couple share a volatile relationship built on indulgence and irritation. Lugh delights in Siucran’s manic energy and improvisational excess, finding it kin to his own love of motion, but he disapproves of Milseach’s slower rhythms, which he dismisses as sticky and sentimental. The Candy King and Cake Queen, however, are united in their fondness of Lugh, including exasperating him with their paradoxical relationship.		* The Wayward King: Lugh and the Sweet Couple share a volatile relationship built on indulgence and irritation. Lugh delights in Siucran’s manic energy and improvisational excess, finding it kin to his own love of motion, but he disapproves of Milseach’s slower rhythms, which he dismisses as sticky and sentimental. The Candy King and Cake Queen, however, are united in their fondness of Lugh, including exasperating him with their paradoxical relationship.

Sc admin: /* Relations */

2026-01-11T18:44:18Z

Relations

← Older revision		Revision as of 14:44, 11 January 2026
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	* The First Queen: Ceadra and the Sweet Couple maintain a warm, openly cordial friendship, rooted in mutual respect and a shared love of creation, music, and carefully constructed joy. Siucran is attentive and generous in her presence, laughing easily, crafting freely, and never giving any outward sign of strain, while Milseach treats Ceadra as a welcome and honored guest. Privately, Siucran carries a terrible secret Seans entrusted to him before his Erasure: knowledge of Ceadra’s involvement in the deepest arts of Strange dissolution. He knows he should not know, fears what discovery would mean, and pours that fear into sweetness, hospitality, and excess creation, as if joy itself might keep the secret buried.		* The First Queen: Ceadra and the Sweet Couple maintain a warm, openly cordial friendship, rooted in mutual respect and a shared love of creation, music, and carefully constructed joy. Siucran is attentive and generous in her presence, laughing easily, crafting freely, and never giving any outward sign of strain, while Milseach treats Ceadra as a welcome and honored guest. Privately, Siucran carries a terrible secret Seans entrusted to him before his Erasure: knowledge of Ceadra’s involvement in the deepest arts of Strange dissolution. He knows he should not know, fears what discovery would mean, and pours that fear into sweetness, hospitality, and excess creation, as if joy itself might keep the secret buried.
	* The Giving Queen: Iobairtin once pursued Siucran and Milseach as a romantic interest, believing that her philosophy of giving could harmonize with their joy through inclusion. The Sweet Couple declined gently but firmly, viewing their bond as something deliberately closed and self-sufficient, which left Iobairtin wounded more in pride than in heart. Since then, the relationship has settled into an awkward cordiality: Siucran remains fond but cautious, Milseach is politely distant, and Iobairtin masks her lingering embarrassment behind exaggerated warmth whenever they meet.		* The Giving Queen: Iobairtin once pursued Siucran and Milseach as a romantic interest, believing that her philosophy of giving could harmonize with their joy through inclusion. The Sweet Couple declined gently but firmly, viewing their bond as something deliberately closed and self-sufficient, which left Iobairtin wounded more in pride than in heart. Since then, the relationship has settled into an awkward cordiality: Siucran remains fond but cautious, Milseach is politely distant, and Iobairtin masks her lingering embarrassment behind exaggerated warmth whenever they meet.
			* The Keening Women: Draoi maintains a genuine, uncomplicated friendship with the Sweet Couple, valuing their shared belief that structure and care can soften the damage of the world. She is openly fond of Milseach’s warmth and quietly impressed by Siucran’s craftsmanship, often offering advice without expectation of return. Cailleach tolerates the relationship as harmless sentimentality, while Mairnealach finds it quietly reassuring in a way she refuses to examine too closely.
	* The Sleeping Queen: Aisling harbors a quiet, aching crush on the Sweet Couple, which she doesn't even fully understand herself. Siucran responds with cold distance and pity, refusing to indulge it. Milseach takes a gentler role, offering kindness and presence without illusion, hoping that care itself might steady Aisling even if it cannot save her.		* The Sleeping Queen: Aisling harbors a quiet, aching crush on the Sweet Couple, which she doesn't even fully understand herself. Siucran responds with cold distance and pity, refusing to indulge it. Milseach takes a gentler role, offering kindness and presence without illusion, hoping that care itself might steady Aisling even if it cannot save her.
	* The Thespian Queen: Cealgran, Siucran, and Milseach share an easy, affirming bond, grounded in trust and mutual delight. The Sweet Couple are not at all uneasy with Cealgran's ever-shifting roles, taking an attitude of "whatever makes you happy", which Cealgran finds freeing and refreshing. In turn, Cealgran is often moved to take on roles that delight the King and Queen.		* The Thespian Queen: Cealgran, Siucran, and Milseach share an easy, affirming bond, grounded in trust and mutual delight. The Sweet Couple are not at all uneasy with Cealgran's ever-shifting roles, taking an attitude of "whatever makes you happy", which Cealgran finds freeing and refreshing. In turn, Cealgran is often moved to take on roles that delight the King and Queen.
	* The Wayward King: Lugh and the Sweet Couple share a volatile relationship built on indulgence and irritation. Lugh delights in Siucran’s manic energy and improvisational excess, finding it kin to his own love of motion, but he disapproves of Milseach’s slower rhythms, which he dismisses as sticky and sentimental. The Candy King and Cake Queen, however, are united in their fondness of Lugh, including exasperating him with their paradoxical relationship.		* The Wayward King: Lugh and the Sweet Couple share a volatile relationship built on indulgence and irritation. Lugh delights in Siucran’s manic energy and improvisational excess, finding it kin to his own love of motion, but he disapproves of Milseach’s slower rhythms, which he dismisses as sticky and sentimental. The Candy King and Cake Queen, however, are united in their fondness of Lugh, including exasperating him with their paradoxical relationship.

Sc admin: /* Relations */

2026-01-11T18:14:27Z

Relations

← Older revision		Revision as of 14:14, 11 January 2026
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	* The Bitter Queen: Maeve is convinced that Milseach is a weak and hopeless prisoner of Siucran, and constantly ridicules the couple's relationship as less healthy than it seems. The Sweet Couple, for their part, are amused by the claims and play up the suggested dynamic for their own entertainment.		* The Bitter Queen: Maeve is convinced that Milseach is a weak and hopeless prisoner of Siucran, and constantly ridicules the couple's relationship as less healthy than it seems. The Sweet Couple, for their part, are amused by the claims and play up the suggested dynamic for their own entertainment.
			* The Bloated King: Mammon repeatedly attempts to dominate the Sweet Couple through excess, leverage, and manufactured scarcity, expecting their joy to be frustrated by economic forces. Milseach and Siucran absorb the behavior with calm endurance, allowing the aggression to spend itself without escalation or retreat. The dynamic leaves Mammon perpetually irritated, unable to extract submission or profit from targets who refuse to be diminished.
	* The First Queen: Ceadra and the Sweet Couple maintain a warm, openly cordial friendship, rooted in mutual respect and a shared love of creation, music, and carefully constructed joy. Siucran is attentive and generous in her presence, laughing easily, crafting freely, and never giving any outward sign of strain, while Milseach treats Ceadra as a welcome and honored guest. Privately, Siucran carries a terrible secret Seans entrusted to him before his Erasure: knowledge of Ceadra’s involvement in the deepest arts of Strange dissolution. He knows he should not know, fears what discovery would mean, and pours that fear into sweetness, hospitality, and excess creation, as if joy itself might keep the secret buried.		* The First Queen: Ceadra and the Sweet Couple maintain a warm, openly cordial friendship, rooted in mutual respect and a shared love of creation, music, and carefully constructed joy. Siucran is attentive and generous in her presence, laughing easily, crafting freely, and never giving any outward sign of strain, while Milseach treats Ceadra as a welcome and honored guest. Privately, Siucran carries a terrible secret Seans entrusted to him before his Erasure: knowledge of Ceadra’s involvement in the deepest arts of Strange dissolution. He knows he should not know, fears what discovery would mean, and pours that fear into sweetness, hospitality, and excess creation, as if joy itself might keep the secret buried.
	* The Giving Queen: Iobairtin once pursued Siucran and Milseach as a romantic interest, believing that her philosophy of giving could harmonize with their joy through inclusion. The Sweet Couple declined gently but firmly, viewing their bond as something deliberately closed and self-sufficient, which left Iobairtin wounded more in pride than in heart. Since then, the relationship has settled into an awkward cordiality: Siucran remains fond but cautious, Milseach is politely distant, and Iobairtin masks her lingering embarrassment behind exaggerated warmth whenever they meet.		* The Giving Queen: Iobairtin once pursued Siucran and Milseach as a romantic interest, believing that her philosophy of giving could harmonize with their joy through inclusion. The Sweet Couple declined gently but firmly, viewing their bond as something deliberately closed and self-sufficient, which left Iobairtin wounded more in pride than in heart. Since then, the relationship has settled into an awkward cordiality: Siucran remains fond but cautious, Milseach is politely distant, and Iobairtin masks her lingering embarrassment behind exaggerated warmth whenever they meet.

Sc admin: /* Relations */

2026-01-11T17:15:41Z

Relations

← Older revision		Revision as of 13:15, 11 January 2026
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	=Relations=		=Relations=

			* The Bitter Queen: Maeve is convinced that Milseach is a weak and hopeless prisoner of Siucran, and constantly ridicules the couple's relationship as less healthy than it seems. The Sweet Couple, for their part, are amused by the claims and play up the suggested dynamic for their own entertainment.
	* The First Queen: Ceadra and the Sweet Couple maintain a warm, openly cordial friendship, rooted in mutual respect and a shared love of creation, music, and carefully constructed joy. Siucran is attentive and generous in her presence, laughing easily, crafting freely, and never giving any outward sign of strain, while Milseach treats Ceadra as a welcome and honored guest. Privately, Siucran carries a terrible secret Seans entrusted to him before his Erasure: knowledge of Ceadra’s involvement in the deepest arts of Strange dissolution. He knows he should not know, fears what discovery would mean, and pours that fear into sweetness, hospitality, and excess creation, as if joy itself might keep the secret buried.		* The First Queen: Ceadra and the Sweet Couple maintain a warm, openly cordial friendship, rooted in mutual respect and a shared love of creation, music, and carefully constructed joy. Siucran is attentive and generous in her presence, laughing easily, crafting freely, and never giving any outward sign of strain, while Milseach treats Ceadra as a welcome and honored guest. Privately, Siucran carries a terrible secret Seans entrusted to him before his Erasure: knowledge of Ceadra’s involvement in the deepest arts of Strange dissolution. He knows he should not know, fears what discovery would mean, and pours that fear into sweetness, hospitality, and excess creation, as if joy itself might keep the secret buried.
	* The Giving Queen: Iobairtin once pursued Siucran and Milseach as a romantic interest, believing that her philosophy of giving could harmonize with their joy through inclusion. The Sweet Couple declined gently but firmly, viewing their bond as something deliberately closed and self-sufficient, which left Iobairtin wounded more in pride than in heart. Since then, the relationship has settled into an awkward cordiality: Siucran remains fond but cautious, Milseach is politely distant, and Iobairtin masks her lingering embarrassment behind exaggerated warmth whenever they meet.		* The Giving Queen: Iobairtin once pursued Siucran and Milseach as a romantic interest, believing that her philosophy of giving could harmonize with their joy through inclusion. The Sweet Couple declined gently but firmly, viewing their bond as something deliberately closed and self-sufficient, which left Iobairtin wounded more in pride than in heart. Since then, the relationship has settled into an awkward cordiality: Siucran remains fond but cautious, Milseach is politely distant, and Iobairtin masks her lingering embarrassment behind exaggerated warmth whenever they meet.

Sc admin: /* Relations */

2026-01-03T00:48:37Z

Relations

← Older revision		Revision as of 20:48, 2 January 2026
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	* The First Queen: Ceadra and the Sweet Couple maintain a warm, openly cordial friendship, rooted in mutual respect and a shared love of creation, music, and carefully constructed joy. Siucran is attentive and generous in her presence, laughing easily, crafting freely, and never giving any outward sign of strain, while Milseach treats Ceadra as a welcome and honored guest. Privately, Siucran carries a terrible secret Seans entrusted to him before his Erasure: knowledge of Ceadra’s involvement in the deepest arts of Strange dissolution. He knows he should not know, fears what discovery would mean, and pours that fear into sweetness, hospitality, and excess creation, as if joy itself might keep the secret buried.		* The First Queen: Ceadra and the Sweet Couple maintain a warm, openly cordial friendship, rooted in mutual respect and a shared love of creation, music, and carefully constructed joy. Siucran is attentive and generous in her presence, laughing easily, crafting freely, and never giving any outward sign of strain, while Milseach treats Ceadra as a welcome and honored guest. Privately, Siucran carries a terrible secret Seans entrusted to him before his Erasure: knowledge of Ceadra’s involvement in the deepest arts of Strange dissolution. He knows he should not know, fears what discovery would mean, and pours that fear into sweetness, hospitality, and excess creation, as if joy itself might keep the secret buried.
	* The Giving Queen: Iobairtin once pursued Siucran and Milseach as a romantic interest, believing that her philosophy of giving could harmonize with their joy through inclusion. The Sweet Couple declined gently but firmly, viewing their bond as something deliberately closed and self-sufficient, which left Iobairtin wounded more in pride than in heart. Since then, the relationship has settled into an awkward cordiality: Siucran remains fond but cautious, Milseach is politely distant, and Iobairtin masks her lingering embarrassment behind exaggerated warmth whenever they meet.		* The Giving Queen: Iobairtin once pursued Siucran and Milseach as a romantic interest, believing that her philosophy of giving could harmonize with their joy through inclusion. The Sweet Couple declined gently but firmly, viewing their bond as something deliberately closed and self-sufficient, which left Iobairtin wounded more in pride than in heart. Since then, the relationship has settled into an awkward cordiality: Siucran remains fond but cautious, Milseach is politely distant, and Iobairtin masks her lingering embarrassment behind exaggerated warmth whenever they meet.
			* The Sleeping Queen: Aisling harbors a quiet, aching crush on the Sweet Couple, which she doesn't even fully understand herself. Siucran responds with cold distance and pity, refusing to indulge it. Milseach takes a gentler role, offering kindness and presence without illusion, hoping that care itself might steady Aisling even if it cannot save her.
	* The Thespian Queen: Cealgran, Siucran, and Milseach share an easy, affirming bond, grounded in trust and mutual delight. The Sweet Couple are not at all uneasy with Cealgran's ever-shifting roles, taking an attitude of "whatever makes you happy", which Cealgran finds freeing and refreshing. In turn, Cealgran is often moved to take on roles that delight the King and Queen.		* The Thespian Queen: Cealgran, Siucran, and Milseach share an easy, affirming bond, grounded in trust and mutual delight. The Sweet Couple are not at all uneasy with Cealgran's ever-shifting roles, taking an attitude of "whatever makes you happy", which Cealgran finds freeing and refreshing. In turn, Cealgran is often moved to take on roles that delight the King and Queen.
	* The Wayward King: Lugh and the Sweet Couple share a volatile relationship built on indulgence and irritation. Lugh delights in Siucran’s manic energy and improvisational excess, finding it kin to his own love of motion, but he disapproves of Milseach’s slower rhythms, which he dismisses as sticky and sentimental. The Candy King and Cake Queen, however, are united in their fondness of Lugh, including exasperating him with their paradoxical relationship.		* The Wayward King: Lugh and the Sweet Couple share a volatile relationship built on indulgence and irritation. Lugh delights in Siucran’s manic energy and improvisational excess, finding it kin to his own love of motion, but he disapproves of Milseach’s slower rhythms, which he dismisses as sticky and sentimental. The Candy King and Cake Queen, however, are united in their fondness of Lugh, including exasperating him with their paradoxical relationship.