The Sleeping Queen - Revision history

Sc admin: /* Orisons */

2026-01-03T18:11:56Z

Orisons

← Older revision		Revision as of 14:11, 3 January 2026
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	Most Orisons of The Sleeping Queen are catastrophes in the mortal realms. Unusually, almost none of her Orisons operate in Arcadia, preferring to warp the minds of mortals. Some of her most notable Orisons are:		Most Orisons of The Sleeping Queen are catastrophes in the mortal realms. Unusually, almost none of her Orisons operate in Arcadia, preferring to warp the minds of mortals. Some of her most notable Orisons are:

	* ~~Suainreach~~, the ~~Pallbearer~~:		* The Pallbearer: Elf, Pelithos, Dark Age, Deceased. A battlefield surgeon who became obsessed with the numbing power of alchemical anesthetics to stop life-altering pain. Forming a Pact, he began to spread his "medicines" to the healthy, hollowing out entire towns in his wake.
			* Klesh of the Velvet Rain: Lascivian, Acrolon, Dark Age, Deceased. A socialite and alchemist who developed powerful narcotics, most famously one called "Velvet Rain", which produced a psychically contagious hallucinatory experiences. The rare substance is now deeply forbidden.
			* The Emberwine Widow: Human, Vashad, Dawn Age, Alive. A mysterious Orison that specializes in bringing down powerful individuals for unknown reasons.
			* Zhen-Qiao of the Last Drought: Orc, Tonwei, Dark Age, Deceased. An Orison that sided with the Empress of Heaven faction during the Titan Wars, creating an alcohol that promotes surrender and acquiescence, and used it to unravel many cells of resistance.

Sc admin: /* Relations */

2026-01-03T01:16:53Z

Relations

← Older revision		Revision as of 21:16, 2 January 2026
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	* The Thespian Queen: Cealgran stalks Aisling through her dreams and altered states, fascinated by the way the Sleeping Queen abandons authorship of herself entirely. Aisling, far from disturbed, finds the attention flattering, a witness to her unraveling.		* The Thespian Queen: Cealgran stalks Aisling through her dreams and altered states, fascinated by the way the Sleeping Queen abandons authorship of herself entirely. Aisling, far from disturbed, finds the attention flattering, a witness to her unraveling.
	* The Wayward King: Lugh and Aisling toxic friendship, sometimes more, who periodically enabling one another and then recoiling. Lugh seeks her intoxicating presence out during festivals to feed a mild addiction to motion without direction, while Aisling finds him a comforting balm between oblivions. Neither trusts the other, and both quietly believe the other represents a path they must never follow too far.		* The Wayward King: Lugh and Aisling toxic friendship, sometimes more, who periodically enabling one another and then recoiling. Lugh seeks her intoxicating presence out during festivals to feed a mild addiction to motion without direction, while Aisling finds him a comforting balm between oblivions. Neither trusts the other, and both quietly believe the other represents a path they must never follow too far.

			=Orisons=

			Most Orisons of The Sleeping Queen are catastrophes in the mortal realms. Unusually, almost none of her Orisons operate in Arcadia, preferring to warp the minds of mortals. Some of her most notable Orisons are:

			* Suainreach, the Pallbearer:

Sc admin: /* Relations */

2026-01-03T00:57:31Z

Relations

← Older revision		Revision as of 20:57, 2 January 2026
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	* The Keening Women: The Maiden obsessively stalks Aisling, convinced that the Sleeping Queen’s practices represent a catastrophic misuse of altered states that should instead be measured, categorized, and mastered. Aisling is the stalked party, dimly aware of the attention but too disengaged to flee or confront it, drifting through the Maiden’s surveillance like fog through instruments. The other Keening Women tolerate the fixation as an indulgence, trusting that the Maiden’s scrutiny will never truly penetrate Aisling’s cultivated vacancy.		* The Keening Women: The Maiden obsessively stalks Aisling, convinced that the Sleeping Queen’s practices represent a catastrophic misuse of altered states that should instead be measured, categorized, and mastered. Aisling is the stalked party, dimly aware of the attention but too disengaged to flee or confront it, drifting through the Maiden’s surveillance like fog through instruments. The other Keening Women tolerate the fixation as an indulgence, trusting that the Maiden’s scrutiny will never truly penetrate Aisling’s cultivated vacancy.
	* The Lady of the Web: The Lady of the Web feels a lingering, personal fondness for Aisling, seeing in her a reflection of a path she once brushed against: surrender. Aisling receives this attention with distant, strained courtesy, finding Lolth’s interest faintly intrusive and unsettling, given the Fey Gods power. Their bond endures as a soft but uneasy tension.		* The Lady of the Web: The Lady of the Web feels a lingering, personal fondness for Aisling, seeing in her a reflection of a path she once brushed against: surrender. Aisling receives this attention with distant, strained courtesy, finding Lolth’s interest faintly intrusive and unsettling, given the Fey Gods power. Their bond endures as a soft but uneasy tension.
			* The Never Queen and Promised King: Aisling and Finvarra intermittently share an languid, intimate entanglement rooted in exhaustion rather than passion, with Aisling quietly wooing him through shared stillness and promises of rest from destiny. Finvarra finds solace in her vacancy, mistaking relief for connection, and drifts into the arrangement willingly. Morrigan reacts with open wrath, sensing not betrayal of fidelity but the greater sin: Aisling offering Finvarra an escape from purpose itself.
	* The Porcelain Queen and Grey King: Aisling presents herself as a devoted student of Arawn, listening intently to his teachings on endurance and endings while quietly hollowing them into justifications for oblivion. She maintains the pretense because Arawn’s philosophy grants her a more socially acceptable language for her vacancy, allowing her to move unchallenged among those who would otherwise resist her influence. Rhiannon recognizes the performance for what it is and regards Aisling with wary concern, sensing that Aisling is not learning, but unaware of her true motives.		* The Porcelain Queen and Grey King: Aisling presents herself as a devoted student of Arawn, listening intently to his teachings on endurance and endings while quietly hollowing them into justifications for oblivion. She maintains the pretense because Arawn’s philosophy grants her a more socially acceptable language for her vacancy, allowing her to move unchallenged among those who would otherwise resist her influence. Rhiannon recognizes the performance for what it is and regards Aisling with wary concern, sensing that Aisling is not learning, but unaware of her true motives.
	* The Spider Queen: Aisling is thought of as a strangely cherished possession by the Spider Queen, who sees the Sleeping Queen's escape as a form of self-indulged suffering. Aisling, for her part, submits passively to this ownership, partly finding a bleak comfort in this novel form of surrender, but also out of fear for what it would mean to defy the Spider Queen.		* The Spider Queen: Aisling is thought of as a strangely cherished possession by the Spider Queen, who sees the Sleeping Queen's escape as a form of self-indulged suffering. Aisling, for her part, submits passively to this ownership, partly finding a bleak comfort in this novel form of surrender, but also out of fear for what it would mean to defy the Spider Queen.
	* The Thespian Queen: Cealgran stalks Aisling through her dreams and altered states, fascinated by the way the Sleeping Queen abandons authorship of herself entirely. Aisling, far from disturbed, finds the attention flattering, a witness to her unraveling.		* The Thespian Queen: Cealgran stalks Aisling through her dreams and altered states, fascinated by the way the Sleeping Queen abandons authorship of herself entirely. Aisling, far from disturbed, finds the attention flattering, a witness to her unraveling.
	* The Wayward King: Lugh and Aisling toxic friendship, sometimes more, who periodically enabling one another and then recoiling. Lugh seeks her intoxicating presence out during festivals to feed a mild addiction to motion without direction, while Aisling finds him a comforting balm between oblivions. Neither trusts the other, and both quietly believe the other represents a path they must never follow too far.		* The Wayward King: Lugh and Aisling toxic friendship, sometimes more, who periodically enabling one another and then recoiling. Lugh seeks her intoxicating presence out during festivals to feed a mild addiction to motion without direction, while Aisling finds him a comforting balm between oblivions. Neither trusts the other, and both quietly believe the other represents a path they must never follow too far.

Sc admin: /* Relations */

2026-01-03T00:53:43Z

Relations

← Older revision		Revision as of 20:53, 2 January 2026
Line 77:		Line 77:
	* The Keening Women: The Maiden obsessively stalks Aisling, convinced that the Sleeping Queen’s practices represent a catastrophic misuse of altered states that should instead be measured, categorized, and mastered. Aisling is the stalked party, dimly aware of the attention but too disengaged to flee or confront it, drifting through the Maiden’s surveillance like fog through instruments. The other Keening Women tolerate the fixation as an indulgence, trusting that the Maiden’s scrutiny will never truly penetrate Aisling’s cultivated vacancy.		* The Keening Women: The Maiden obsessively stalks Aisling, convinced that the Sleeping Queen’s practices represent a catastrophic misuse of altered states that should instead be measured, categorized, and mastered. Aisling is the stalked party, dimly aware of the attention but too disengaged to flee or confront it, drifting through the Maiden’s surveillance like fog through instruments. The other Keening Women tolerate the fixation as an indulgence, trusting that the Maiden’s scrutiny will never truly penetrate Aisling’s cultivated vacancy.
	* The Lady of the Web: The Lady of the Web feels a lingering, personal fondness for Aisling, seeing in her a reflection of a path she once brushed against: surrender. Aisling receives this attention with distant, strained courtesy, finding Lolth’s interest faintly intrusive and unsettling, given the Fey Gods power. Their bond endures as a soft but uneasy tension.		* The Lady of the Web: The Lady of the Web feels a lingering, personal fondness for Aisling, seeing in her a reflection of a path she once brushed against: surrender. Aisling receives this attention with distant, strained courtesy, finding Lolth’s interest faintly intrusive and unsettling, given the Fey Gods power. Their bond endures as a soft but uneasy tension.
			* The Porcelain Queen and Grey King: Aisling presents herself as a devoted student of Arawn, listening intently to his teachings on endurance and endings while quietly hollowing them into justifications for oblivion. She maintains the pretense because Arawn’s philosophy grants her a more socially acceptable language for her vacancy, allowing her to move unchallenged among those who would otherwise resist her influence. Rhiannon recognizes the performance for what it is and regards Aisling with wary concern, sensing that Aisling is not learning, but unaware of her true motives.
	* The Spider Queen: Aisling is thought of as a strangely cherished possession by the Spider Queen, who sees the Sleeping Queen's escape as a form of self-indulged suffering. Aisling, for her part, submits passively to this ownership, partly finding a bleak comfort in this novel form of surrender, but also out of fear for what it would mean to defy the Spider Queen.		* The Spider Queen: Aisling is thought of as a strangely cherished possession by the Spider Queen, who sees the Sleeping Queen's escape as a form of self-indulged suffering. Aisling, for her part, submits passively to this ownership, partly finding a bleak comfort in this novel form of surrender, but also out of fear for what it would mean to defy the Spider Queen.
	* The Thespian Queen: Cealgran stalks Aisling through her dreams and altered states, fascinated by the way the Sleeping Queen abandons authorship of herself entirely. Aisling, far from disturbed, finds the attention flattering, a witness to her unraveling.		* The Thespian Queen: Cealgran stalks Aisling through her dreams and altered states, fascinated by the way the Sleeping Queen abandons authorship of herself entirely. Aisling, far from disturbed, finds the attention flattering, a witness to her unraveling.
	* The Wayward King: Lugh and Aisling toxic friendship, sometimes more, who periodically enabling one another and then recoiling. Lugh seeks her intoxicating presence out during festivals to feed a mild addiction to motion without direction, while Aisling finds him a comforting balm between oblivions. Neither trusts the other, and both quietly believe the other represents a path they must never follow too far.		* The Wayward King: Lugh and Aisling toxic friendship, sometimes more, who periodically enabling one another and then recoiling. Lugh seeks her intoxicating presence out during festivals to feed a mild addiction to motion without direction, while Aisling finds him a comforting balm between oblivions. Neither trusts the other, and both quietly believe the other represents a path they must never follow too far.

Sc admin: /* Relations */

2026-01-03T00:48:06Z

Relations

← Older revision		Revision as of 20:48, 2 January 2026
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	* The Bitter Queen: Aisling and Maeve share a grim, asymmetrical relationship defined by containment and enforcement. Maeve considers Aisling too dangerous to be left uncontrolled, policing her influence with sudden cruelty whenever Aisling’s quiet invitations to oblivion spread too far. Aisling accepts this treatment without resistance, treating Maeve’s social violence as a necessary mechanism that keeps her tethered to the waking world just enough to remain relevant.		* The Bitter Queen: Aisling and Maeve share a grim, asymmetrical relationship defined by containment and enforcement. Maeve considers Aisling too dangerous to be left uncontrolled, policing her influence with sudden cruelty whenever Aisling’s quiet invitations to oblivion spread too far. Aisling accepts this treatment without resistance, treating Maeve’s social violence as a necessary mechanism that keeps her tethered to the waking world just enough to remain relevant.
	* The Bloated King: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.		* The Bloated King: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.
			* The Cake Queen and Candy King: Aisling harbors a quiet, aching crush on the Sweet Couple, which she doesn't even fully understand herself. Siucran responds with cold distance and pity, refusing to indulge it. Milseach takes a gentler role, offering kindness and presence without illusion, hoping that care itself might steady Aisling even if it cannot save her.
	* The Cartographer Queen and Hearth King: Aisling and the Fated Couple are openly hostile enemies, perhaps the most outspoken hatred in the Fey Courts. The Upper Court of Yesterday treats Aisling as a dangerous nihilist whose influence must be eradicated, while Aisling loathes them as tireless enforcers of a world she thinks should fade away. Their conflict is rooted in an irreconcilable clash between preservation and oblivion, and neither side believing compromise is possible.		* The Cartographer Queen and Hearth King: Aisling and the Fated Couple are openly hostile enemies, perhaps the most outspoken hatred in the Fey Courts. The Upper Court of Yesterday treats Aisling as a dangerous nihilist whose influence must be eradicated, while Aisling loathes them as tireless enforcers of a world she thinks should fade away. Their conflict is rooted in an irreconcilable clash between preservation and oblivion, and neither side believing compromise is possible.
	* The First Queen: Ceadra and Aisling share one of the more unlikely friendships among the Fey Gods. Ceadra truly cherishes Aisling's insights into the nature of meaning, though her friendship is tinged with condescension and pity that can be difficult for her to hide, while Aisling finds a rare form of escape into some of Ceadra's melodies, the closest she has found to transcendence without oblivion.		* The First Queen: Ceadra and Aisling share one of the more unlikely friendships among the Fey Gods. Ceadra truly cherishes Aisling's insights into the nature of meaning, though her friendship is tinged with condescension and pity that can be difficult for her to hide, while Aisling finds a rare form of escape into some of Ceadra's melodies, the closest she has found to transcendence without oblivion.

Sc admin: /* Relations */

2026-01-03T00:42:26Z

Relations

← Older revision		Revision as of 20:42, 2 January 2026
Line 71:		Line 71:
	* The Bitter Queen: Aisling and Maeve share a grim, asymmetrical relationship defined by containment and enforcement. Maeve considers Aisling too dangerous to be left uncontrolled, policing her influence with sudden cruelty whenever Aisling’s quiet invitations to oblivion spread too far. Aisling accepts this treatment without resistance, treating Maeve’s social violence as a necessary mechanism that keeps her tethered to the waking world just enough to remain relevant.		* The Bitter Queen: Aisling and Maeve share a grim, asymmetrical relationship defined by containment and enforcement. Maeve considers Aisling too dangerous to be left uncontrolled, policing her influence with sudden cruelty whenever Aisling’s quiet invitations to oblivion spread too far. Aisling accepts this treatment without resistance, treating Maeve’s social violence as a necessary mechanism that keeps her tethered to the waking world just enough to remain relevant.
	* The Bloated King: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.		* The Bloated King: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.
			* The Cartographer Queen and Hearth King: Aisling and the Fated Couple are openly hostile enemies, perhaps the most outspoken hatred in the Fey Courts. The Upper Court of Yesterday treats Aisling as a dangerous nihilist whose influence must be eradicated, while Aisling loathes them as tireless enforcers of a world she thinks should fade away. Their conflict is rooted in an irreconcilable clash between preservation and oblivion, and neither side believing compromise is possible.
	* The First Queen: Ceadra and Aisling share one of the more unlikely friendships among the Fey Gods. Ceadra truly cherishes Aisling's insights into the nature of meaning, though her friendship is tinged with condescension and pity that can be difficult for her to hide, while Aisling finds a rare form of escape into some of Ceadra's melodies, the closest she has found to transcendence without oblivion.		* The First Queen: Ceadra and Aisling share one of the more unlikely friendships among the Fey Gods. Ceadra truly cherishes Aisling's insights into the nature of meaning, though her friendship is tinged with condescension and pity that can be difficult for her to hide, while Aisling finds a rare form of escape into some of Ceadra's melodies, the closest she has found to transcendence without oblivion.
	* The Giving Queen: Iobairtin and Aisling share an unlikely and complex semi-romantic relationship. Iobairtin's hollowness from sacrifice is proximal enough to oblivion that it is less dangerously addictive to her. And the consequences of Aisling's endless appetite for escape gives Iobairtin no end of opportunities to sacrifice, sometimes to a toxically enabling degree.		* The Giving Queen: Iobairtin and Aisling share an unlikely and complex semi-romantic relationship. Iobairtin's hollowness from sacrifice is proximal enough to oblivion that it is less dangerously addictive to her. And the consequences of Aisling's endless appetite for escape gives Iobairtin no end of opportunities to sacrifice, sometimes to a toxically enabling degree.

Sc admin: /* Relations */

2026-01-03T00:23:15Z

Relations

← Older revision		Revision as of 20:23, 2 January 2026
Line 75:		Line 75:
	* The Keening Women: The Maiden obsessively stalks Aisling, convinced that the Sleeping Queen’s practices represent a catastrophic misuse of altered states that should instead be measured, categorized, and mastered. Aisling is the stalked party, dimly aware of the attention but too disengaged to flee or confront it, drifting through the Maiden’s surveillance like fog through instruments. The other Keening Women tolerate the fixation as an indulgence, trusting that the Maiden’s scrutiny will never truly penetrate Aisling’s cultivated vacancy.		* The Keening Women: The Maiden obsessively stalks Aisling, convinced that the Sleeping Queen’s practices represent a catastrophic misuse of altered states that should instead be measured, categorized, and mastered. Aisling is the stalked party, dimly aware of the attention but too disengaged to flee or confront it, drifting through the Maiden’s surveillance like fog through instruments. The other Keening Women tolerate the fixation as an indulgence, trusting that the Maiden’s scrutiny will never truly penetrate Aisling’s cultivated vacancy.
	* The Lady of the Web: The Lady of the Web feels a lingering, personal fondness for Aisling, seeing in her a reflection of a path she once brushed against: surrender. Aisling receives this attention with distant, strained courtesy, finding Lolth’s interest faintly intrusive and unsettling, given the Fey Gods power. Their bond endures as a soft but uneasy tension.		* The Lady of the Web: The Lady of the Web feels a lingering, personal fondness for Aisling, seeing in her a reflection of a path she once brushed against: surrender. Aisling receives this attention with distant, strained courtesy, finding Lolth’s interest faintly intrusive and unsettling, given the Fey Gods power. Their bond endures as a soft but uneasy tension.
			* The Spider Queen: Aisling is thought of as a strangely cherished possession by the Spider Queen, who sees the Sleeping Queen's escape as a form of self-indulged suffering. Aisling, for her part, submits passively to this ownership, partly finding a bleak comfort in this novel form of surrender, but also out of fear for what it would mean to defy the Spider Queen.
	* The Thespian Queen: Cealgran stalks Aisling through her dreams and altered states, fascinated by the way the Sleeping Queen abandons authorship of herself entirely. Aisling, far from disturbed, finds the attention flattering, a witness to her unraveling.		* The Thespian Queen: Cealgran stalks Aisling through her dreams and altered states, fascinated by the way the Sleeping Queen abandons authorship of herself entirely. Aisling, far from disturbed, finds the attention flattering, a witness to her unraveling.
	* The Wayward King: Lugh and Aisling toxic friendship, sometimes more, who periodically enabling one another and then recoiling. Lugh seeks her intoxicating presence out during festivals to feed a mild addiction to motion without direction, while Aisling finds him a comforting balm between oblivions. Neither trusts the other, and both quietly believe the other represents a path they must never follow too far.		* The Wayward King: Lugh and Aisling toxic friendship, sometimes more, who periodically enabling one another and then recoiling. Lugh seeks her intoxicating presence out during festivals to feed a mild addiction to motion without direction, while Aisling finds him a comforting balm between oblivions. Neither trusts the other, and both quietly believe the other represents a path they must never follow too far.

Sc admin: /* Relations */

2026-01-03T00:12:30Z

Relations

← Older revision		Revision as of 20:12, 2 January 2026
Line 74:		Line 74:
	* The Giving Queen: Iobairtin and Aisling share an unlikely and complex semi-romantic relationship. Iobairtin's hollowness from sacrifice is proximal enough to oblivion that it is less dangerously addictive to her. And the consequences of Aisling's endless appetite for escape gives Iobairtin no end of opportunities to sacrifice, sometimes to a toxically enabling degree.		* The Giving Queen: Iobairtin and Aisling share an unlikely and complex semi-romantic relationship. Iobairtin's hollowness from sacrifice is proximal enough to oblivion that it is less dangerously addictive to her. And the consequences of Aisling's endless appetite for escape gives Iobairtin no end of opportunities to sacrifice, sometimes to a toxically enabling degree.
	* The Keening Women: The Maiden obsessively stalks Aisling, convinced that the Sleeping Queen’s practices represent a catastrophic misuse of altered states that should instead be measured, categorized, and mastered. Aisling is the stalked party, dimly aware of the attention but too disengaged to flee or confront it, drifting through the Maiden’s surveillance like fog through instruments. The other Keening Women tolerate the fixation as an indulgence, trusting that the Maiden’s scrutiny will never truly penetrate Aisling’s cultivated vacancy.		* The Keening Women: The Maiden obsessively stalks Aisling, convinced that the Sleeping Queen’s practices represent a catastrophic misuse of altered states that should instead be measured, categorized, and mastered. Aisling is the stalked party, dimly aware of the attention but too disengaged to flee or confront it, drifting through the Maiden’s surveillance like fog through instruments. The other Keening Women tolerate the fixation as an indulgence, trusting that the Maiden’s scrutiny will never truly penetrate Aisling’s cultivated vacancy.
			* The Lady of the Web: The Lady of the Web feels a lingering, personal fondness for Aisling, seeing in her a reflection of a path she once brushed against: surrender. Aisling receives this attention with distant, strained courtesy, finding Lolth’s interest faintly intrusive and unsettling, given the Fey Gods power. Their bond endures as a soft but uneasy tension.
	* The Thespian Queen: Cealgran stalks Aisling through her dreams and altered states, fascinated by the way the Sleeping Queen abandons authorship of herself entirely. Aisling, far from disturbed, finds the attention flattering, a witness to her unraveling.		* The Thespian Queen: Cealgran stalks Aisling through her dreams and altered states, fascinated by the way the Sleeping Queen abandons authorship of herself entirely. Aisling, far from disturbed, finds the attention flattering, a witness to her unraveling.
	* The Wayward King: Lugh and Aisling toxic friendship, sometimes more, who periodically enabling one another and then recoiling. Lugh seeks her intoxicating presence out during festivals to feed a mild addiction to motion without direction, while Aisling finds him a comforting balm between oblivions. Neither trusts the other, and both quietly believe the other represents a path they must never follow too far.		* The Wayward King: Lugh and Aisling toxic friendship, sometimes more, who periodically enabling one another and then recoiling. Lugh seeks her intoxicating presence out during festivals to feed a mild addiction to motion without direction, while Aisling finds him a comforting balm between oblivions. Neither trusts the other, and both quietly believe the other represents a path they must never follow too far.

Sc admin: /* Relations */

2026-01-02T23:56:15Z

Relations

← Older revision		Revision as of 19:56, 2 January 2026
Line 73:		Line 73:
	* The First Queen: Ceadra and Aisling share one of the more unlikely friendships among the Fey Gods. Ceadra truly cherishes Aisling's insights into the nature of meaning, though her friendship is tinged with condescension and pity that can be difficult for her to hide, while Aisling finds a rare form of escape into some of Ceadra's melodies, the closest she has found to transcendence without oblivion.		* The First Queen: Ceadra and Aisling share one of the more unlikely friendships among the Fey Gods. Ceadra truly cherishes Aisling's insights into the nature of meaning, though her friendship is tinged with condescension and pity that can be difficult for her to hide, while Aisling finds a rare form of escape into some of Ceadra's melodies, the closest she has found to transcendence without oblivion.
	* The Giving Queen: Iobairtin and Aisling share an unlikely and complex semi-romantic relationship. Iobairtin's hollowness from sacrifice is proximal enough to oblivion that it is less dangerously addictive to her. And the consequences of Aisling's endless appetite for escape gives Iobairtin no end of opportunities to sacrifice, sometimes to a toxically enabling degree.		* The Giving Queen: Iobairtin and Aisling share an unlikely and complex semi-romantic relationship. Iobairtin's hollowness from sacrifice is proximal enough to oblivion that it is less dangerously addictive to her. And the consequences of Aisling's endless appetite for escape gives Iobairtin no end of opportunities to sacrifice, sometimes to a toxically enabling degree.
			* The Keening Women: The Maiden obsessively stalks Aisling, convinced that the Sleeping Queen’s practices represent a catastrophic misuse of altered states that should instead be measured, categorized, and mastered. Aisling is the stalked party, dimly aware of the attention but too disengaged to flee or confront it, drifting through the Maiden’s surveillance like fog through instruments. The other Keening Women tolerate the fixation as an indulgence, trusting that the Maiden’s scrutiny will never truly penetrate Aisling’s cultivated vacancy.
	* The Thespian Queen: Cealgran stalks Aisling through her dreams and altered states, fascinated by the way the Sleeping Queen abandons authorship of herself entirely. Aisling, far from disturbed, finds the attention flattering, a witness to her unraveling.		* The Thespian Queen: Cealgran stalks Aisling through her dreams and altered states, fascinated by the way the Sleeping Queen abandons authorship of herself entirely. Aisling, far from disturbed, finds the attention flattering, a witness to her unraveling.
	* The Wayward King: Lugh and Aisling toxic friendship, sometimes more, who periodically enabling one another and then recoiling. Lugh seeks her intoxicating presence out during festivals to feed a mild addiction to motion without direction, while Aisling finds him a comforting balm between oblivions. Neither trusts the other, and both quietly believe the other represents a path they must never follow too far.		* The Wayward King: Lugh and Aisling toxic friendship, sometimes more, who periodically enabling one another and then recoiling. Lugh seeks her intoxicating presence out during festivals to feed a mild addiction to motion without direction, while Aisling finds him a comforting balm between oblivions. Neither trusts the other, and both quietly believe the other represents a path they must never follow too far.

Sc admin: /* Relations */

2026-01-02T23:48:16Z

Relations

← Older revision		Revision as of 19:48, 2 January 2026
Line 69:		Line 69:
	=Relations=		=Relations=

	* The Bitter Queen: Aisling and Maeve share a grim, asymmetrical relationship defined by containment and enforcement. Maeve considers Aisling too dangerous to be left ~~unattended~~, policing her influence with sudden cruelty whenever Aisling’s quiet invitations to oblivion spread too far. Aisling accepts this treatment without resistance, treating Maeve’s violence as a necessary mechanism that keeps her tethered to the waking world just enough to remain relevant.		* The Bitter Queen: Aisling and Maeve share a grim, asymmetrical relationship defined by containment and enforcement. Maeve considers Aisling too dangerous to be left uncontrolled, policing her influence with sudden cruelty whenever Aisling’s quiet invitations to oblivion spread too far. Aisling accepts this treatment without resistance, treating Maeve’s social violence as a necessary mechanism that keeps her tethered to the waking world just enough to remain relevant.
	* The Bloated King: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.		* The Bloated King: Aisling and Mammon maintain a dreary transactional relationship. Mammon began patronizing Aisling’s domain as a consumer of exquisite products, and Aisling complied out of a sense of common courtesy, realizing Mammon's interests were utterly shallow. Neither believes the exchange improves the other; both accept it as a mutually degrading expression of their natures.
	* The First Queen: Ceadra and Aisling share one of the more unlikely friendships among the Fey Gods. Ceadra truly cherishes Aisling's insights into the nature of meaning, though her friendship is tinged with condescension and pity that can be difficult for her to hide, while Aisling finds a rare form of escape into some of Ceadra's melodies, the closest she has found to transcendence without oblivion.		* The First Queen: Ceadra and Aisling share one of the more unlikely friendships among the Fey Gods. Ceadra truly cherishes Aisling's insights into the nature of meaning, though her friendship is tinged with condescension and pity that can be difficult for her to hide, while Aisling finds a rare form of escape into some of Ceadra's melodies, the closest she has found to transcendence without oblivion.