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The Keening Women

From The Apparatus
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Template:Breadcrumb The Three
Cailleach the Crone
Draoi the Matron
Mairnéalach the Maiden
The Ogress of Mná Caointe

Overview

The Keening Women (Commontongue), also Miná Caointe (Feytongue \mɪˈnɑ ˈkwintɑ\ for keening women), also The Stygian Queens (Elftongue \ˈstɪʤiən\ for hateful and dark) are the three co-ruling Fey Gods of The Court of Three, formerly The Court of Four, and are the Gods of the Hags. Their original Court was among the Ancient Courts of Arcadia, and are widely regarded as the first to successfully harness Strange Power derived from philosophical endeavor.

Unlike later Fey Monarchs, the Keening Women are never treated as fully separate individuals in surviving records. Mortal scholars and Fey historians alike describe that as a plural individual: three distinct beings acting with singular intent. The Bleak Court explores the Strange Essence of Quantity, seeking meaning through numerological significance in patterns of number and the costs inherent in accounting.

Lore concerning the Keening Women is unusually common and consistent for something so old. The Three have taken an interest in Fey and Mortal affairs, and their meddling has produced a large number of cults, Orisons, and scholarship, making them probably the best known (if least understood) Fey Gods. They are feared, respected, and quietly blamed for more of history than is ever stated outright.

History

The Keening Women were not always three. In ancient Pelithos, during the Zero Year, there was a coven of four powerful. nameless witches. These witches boldly dabbled in mysteries beyond comprehension, and were the first to cross the Strange Sea.

In the earliest days of Arcadian exploration, their Court was known as the Court of Four, a coven of witches who first discovered how to extract stable power from philosophical assertion alone. This revelation marked a turning point in Strange cosmology: before it, Arcadia was a dangerous curiosity; after it, Arcadia could be shaped.

The First Queen, later remembered only obliquely, was the architect of this discovery. She shared it with her coven, and together the Four became the first true Fey Gods. Their early philosophy was not cardinality, but orthogonality: the belief that meaning arose from the intersection of independent truths.

Description

The Three have two forms. The first are as three individual women: Cailleach (Feytongue \ˈkɑˌlijʊk\ for old woman) the Crone, Draoi (Feytongue \dri\ for wise) the Matron, and Mairnéalach (Feytongue \mɑrˈniəˌlʊk\ for young woman) the Maiden. Cailleach appears as an impossibly tall and thin woman with shriveled skin and a missing eye, often depicted with a sinister replacement. Draoi appears as a squat woman with an enormous girth and a basket covering her head. Mairnéalach appears as a woman of middle height and incredibly wiry and muscular frame with a wide smiling mouth full of sharp teeth.

The second form is that of a massive ogress with three heads fused together. It is dressed in tattered cloth covered in moss.

Personality

All three of the Stygian Queens are dangerously polite, every etiquette a high stakes game for survival.

Cailleach is the keeper of books. Cold, deliberate, and endlessly patient, she keeps track of all payments, whether by blood, betrayal, or bargain. She is obsessed with counting backward, keeping a ledger of the costs of the past. She is known for tending moss-covered withered bodies of her victims. She is the cold accountant, mercilessly collecting on debts and exacting costs.

Draoi is gentle but suffocating, speaking in the warm tones of a lullaby, but offering disapproving kindness that is heavy as chains. She is obsessed with balance, one coin, one kiss, one cry is her motto. An unpaid favor is the greatest offense against her. She is known for drowning and cooking her victims in cauldrons of milk. She is the compassionate one, following the spirit of the deal instead of the letter of the deal.

Mairnéalach is restless and cruely curious. She plays games with fate like a child pulling wings from butterflies. She wants to know how things will end and delights in testing her predictions. She is obsessed with promises and their relationship to the future. She tempts people into promises they cannot keep and then counts down to their doom. She is known for biting off pieces of her victim, counting as she does. She delights in loopholes, technicalities, and unexpected costs.

These personalities fuse into the Ogress, the three heads bickering and agreeing in turn.

Strange Philosophy

If it costs nothing, it means nothing.

The Three teach that meaning is found in numerological significance, which they see symbolized perfectly in the exchange of things: debts and costs. Wars only matter because of how many lives are lost, history only matters because of how many names are forgotten, lives only matter because of how many breaths are taken.

They maintain that:

  • Everything incurs a cost, whether acknowledged or not
  • Failing to account for costs is the greatest sin
  • Meaning comes from understanding the price and paying willingly

The Court is famous for its superstitions, such as counting grains of spilled salt. It is believed that an oath sworn thrice, one for each Queen, carries unavoidable consequences.

Orisons

Most Orisons of The Three are Hags of Arcadia, but The Three do also form pacts with Mortals, most often:

  • Witches and warlocks who specialize in curses and bargains
  • Officials who deal with the most impactful accounting, like judges, executioners, tax collectors
  • Numerologists and mathematicians

Notable Orisons

  • Sister Elthra of the Tally (c. 1810): A noble woman who attempted to count every death in her lands from a famine suddenly vanished upon her completion. She was seen intermittently for decades afterward at the sites of mass deaths, always standing in the background.